Intro
| E Emaj7 E | G#m#5 G#m | A E | B |
| E Emaj7 E Emaj7 E | G#m#5 G#m G#m#5 G#m | A E | B |
Verse 1
E G#m
We work in the factories and the fields
A E B
assembly lines, cold mines and the steel mills
E G#m
That's what we do but there's more to us than that
A E B E
If you want to know who we are it's on the logos of our caps
Chorus
E G#m
We're mountaineer. We're volunteers.
A E
We're the tide that rolls. We're Seminole
C#m B
We're the herd, a longhorn steer
E G#m
We drive Ford and Chevrolet. Cheer twenty-four and eighty-eight
A E B
and we crank up our music Friday nights
A B E
On two thousand country stations, yeah we're one big country nation - that's right
Emaj7 E Emaj7 E | G#m#5 G#m | A E | B |
Verse 2
E G#m
We might fix your water pump or your AC
A E B
and bring your apple pie and fill your glass of tea
E G#m
We'll take that FedEx package to your door
A E B E
but underneath that apron or that uniform
Chorus
E G#m
We�re Wildcats. We're Wolverines.
A E C#m B
We're Tigers, Buckeyes, Bruins, Bulldogs, Hawks and Hurricanes
E G#m
We pray before we race and cheer fourteen or forty-eight
A E B
https://www.coveralia.com/acordes/country-nation-brad-paisley.php
and we drink ice cold beer on Friday nights
A B E
Yeah, we're one big country nation - that's right
Bridge
A C#m B E A
We're all across the map, down city streets and old dirt roads
C#m B E
We're the fabric of this nation - and we're a nation on our own
Solo
| G#m | A E | B |
| E | G#m | A E | B |
Chorus
E G#m
We're mountaineer. We're volunteers.
A E
Blue Devils, Heels and Rebels
C#m B
Fighting Irish and Cavaliers
E G#m
We soup up our Chevrolets cheer twenty-four and forty-eight
A E B
and we crank up the same songs Friday night
A B E
On two thousand country stations, yeah we're one big country nation - that's right
Outro
Emaj7 E Emaj7 E | G#m#5 G#m G#m#5 G#m | A E | B |
| E Emaj7 E Emaj7 E | G#m#5 G#m G#m#5 G#m | A E | B |
Notes
In the intro/outro the two first chords alternates over the two notes e and d#.
The first chord is an E, so that means it alternates between E and Emaj7.
I hear the second chord as a G#m, so it alternates between weird chord that I wrote as G#m#5 and G#m.
But you're really just playing the same two notes over both chords.
On the album Brad plays a lead guitar with those notes (and a couple more) but if you want to play
this as chords I find it playable and okay sounding around a barre in the 4th fret with these chords:
E - x76454
Emaj7 - x76444
G#m#5 - 4x6454
G#m - 466444
